I really
wanted to see Man With The Iron Fists
this weekend. I really did. I love every single aspect of the film, from
the director to the producer to the actors.
The plot looks solid and the film strikes me as a good time.
On to the
review!
So anyways, I
saw Flight this weekend, and it's
nice to see Robert Zemeckis direct a movie that didn't involve the uncannyvalley. For a man who was pretty damn
awesome for so long (Back to the Future,
Who Framed Roger Rabbit, Cast Away) I feared his releases for the last
decade or so (Beowulf, The Polar Express,
A Christmas Carol). That there are
almost no special effects in Flight is
awesome.
I recently
received some constructive criticism that I may be a bit too spoiler-heavy, so
let me try to relate why you should watch Flight
during this crowded film season without giving anything away.
Denzel
Washington is Whip Whitaker, a supremely confident yet troubled pilot. The opening scene does everything in its
power to drive home the fact that Whip is not a hero per se, merely a man who
performs a heroic act. As you've seen by
the trailer, he kind of lands a passenger aircraft under duress, at one point
even flying upside-down.
What the
trailer doesn't tell you is that his story intertwines with that of Nicole
(Kelly Reilly). They meet shortly after
the crash, and discover that they both have some demons that may or may not
need exorcising.
Most of the
film follows Whip as he tries to deal with life during the lead-up to a hearing
held after the crash investigation. One
of the things I liked most about Flight
is how realistic the plot was. After a
crash, everything needs to be investigated and a scapegoat needs to be
found. The union wants to blame the
airline or the manufacturer, while neither the airline nor the parts
manufacturers are willing to take blame either.
This cat-fighting really helps add to the overarching tension of the
movie.
In Whip's
corner are his union-appointed attorney Hugh Lang (Don Cheadle), his union rep
Charlie Anderson (Bruce Greenwood)--who also served with Whip in the Navy--and
Whip's lawyer, Harling Mays (John Goodman).
While everyone does a great job in their roles, Goodman once again
delivers an outstanding, outsized performance despite limited screen time. In fact, I'm not sure I've ever seen Goodman
in a movie--good or bad--where I didn't like his performance. He's like a much larger Christopher Walken.
While a bit
on the long side at 138 minutes, Flight
makes up for it by rewarding your patience with incredible acting everywhere
you look. At no point was I bored or
restless, nor did it seem that anyone in the theater could tear their eyes off
the screen for even a moment. Hell, this
is the first time I can remember where not a single person in front of me (and
I always sit in the back) got up to use the restroom!
I absolutely
will not be surprised to see Denzel Washington nominated for a Best Actor
Oscar, and I would not be disappointed to see him win it. He plays such a morally ambiguous character
to such perfection that you are constantly unsure if you should root for or
against him.
It's good to
see Zemeckis back and directing people who are just people, not CGI or motion
capture. He still has incredibly skills,
and this story keeps you guessing until the final scene. You may hate me for this, but I don't care: I
say this is far better than Forrest Gump and
almost as good as Cast Away.
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