Upon seeing all the most disturbing horror films I could get
my hands on, I have thought long and hard about my next long term Wednesday
series. I’ve enjoyed my recent
dabbling. I’ve offered opinions on
different genres, talked about a few individuals and even thrown in my first
Notflix review. Yet this urge to watch more
silly/scary/stupid/horrific films hasn’t quite gone away.
Therefore, it
is my pleasure to announce a new series of writings dedicated to exploring
horror origin films. Over the next few
months, I’m going to dedicate my Wednesdays to movies that ‘started it
all.’ This means I get to watch the
first Friday the 13th, Critters, and Nightmare on Elm Street movies and talk about how effective they
were as horrors. Plus, I’ll offer my thoughts
on how they hold up in light of their age and the filmmaking limitations of the
time.
First
up? Child’s Play.
On to the
review!
Right off the
bat you’ll notice that 1988 Brad Dourif looks like 2003 Tommy Wiseau. Once that strange observation is complete,
the next one was that this serial killer has a convenient escape route: die
while pushing his soul into that of a good guy doll named Chucky. Not only is it a good way to start a horror
movie, but the doll in question is pretty dang creepy even before the
later-film animatronics. The unkempt red
hair, the dull blue eyes and the half-smile all combine to make the perfect
mockery of a child’s toy. Even before
the murders start, it’s obvious that the filmmakers have a little more up their
sleeves than just ‘crazed killer becomes a doll and murders people.’
Of course,
once you’re suitably creeped out by the ‘normal’ Chucky doll, it then starts to
murder people. On the off chance that
you haven’t seen any Child’s Play films,
let me just point out that the killer never changes. We won’t get an avenging mother or a copycat
killer. The ability to move your soul
into inanimate objects is one that’s easily taken advantage of.
While the
later Child’s Play movies inevitably
delved into a mockery of itself (see also A
Nightmare on Elm Street 6 and Jason X)
this one managed to offer up a perfect serving of the horrors of everyday items. The only part of any other movie that comes
would be the scene in Poltergeist
when the clown comes to life. You know
exactly what I’m talking about.
As far as the
acting goes, I have to give it high praise.
For a film that nobody knew was going to become such a long-lasting
(though not necessarily beloved) horror franchise, there was some genuinely
good acting from everyone involved.
Karen Barclay (Catherine Hicks) is a single mom who can barely make ends
meet but desperately wants to give her son some genuine joy and happiness in
his life. The kid, Andy (Alex Vincent)
does a fantastic job of being...well, just a kid. He actually pulls off the perfect amount of
innocent, confused and horrified throughout the movie. Especially compared to today’s standards,
it’s rare to see the kid in a horror film play the innocent all the way through.
Seeing Chris
Sarandon play the cop, Mike Norris, threw me for a bit of a loop, because I’ll
always remember him from The Princess
Bride (something Cary Elwes also must deal with, but strangely enough not
Mandy Patinkin. Weird.) Anyhow, he plays a cop. He does a perfectly serviceable job,
considering he’s only there for the action sequences. Finally, and most importantly, Brad Dourif
brings the perfect amount of psychopathy to the role of Chucky, adding genuine craziness,
anger, and creepy to all of the doll’s lines.
He’s much better as Chucky than he is as Tommy…err…Charles Lee Ray.
As far as the
film itself goes, it’s pretty much all ‘80’s all the time. The clothing and scenery all scream out the
decade to anyone watching. Everything
about this film is dated, even the Chucky doll.
Sorry, but overalls and a long-sleeve shirt? That’s, like, sooooo passé.
Considering other movies of its time,
especially the wonderfully terrible glut of late-‘80’s
teens-getting-killed-by-things glut of horror movies, the special effects put
into Chucky are actually pretty dang good.
Sure, you can totally tell when it’s someone dressed in a suit. But when the doll starts getting beat up
towards the end of the movie, the mechanical guts are impressive. (Ignoring, of course, the fact that the doll
isn’t supposed to have mechanical
guts.) That they made such a damn creepy
robot doll at all is cool, that they made a two-foot doll genuinely creepy and
intimidating is a revelation.
As a horror
movie, I think Child’s Play
definitely holds up, and it could still scare the shit out of a younger person
who hasn’t seen a whole lot of horrors, or anyone who really hates those
lifelike dolls. It’s not the best ‘first
film in a series’ by a long shot, but it’s certainly not the worst. I doubt I’ll be going out of my way to watch
it again anytime soon, but I think it’s a great starter film for this project.
Next week
I’ll check out Friday the 13th,
a movie I have actually NEVER SEEN. I am
excited.
P.S. I miss the days when kid's toys were genuinely dangerous and could actually be used to cause harm. Steel hammer for a 6 year old? Sure!
I agree 100%. Child's Play scared the shit out me even before I saw it. Just looking at that box cover is enough to give me nightmares. I would argue that the series is more funny than scary, but it's balanced enough in the original.
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